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Showing posts with label quad. Show all posts
Showing posts with label quad. Show all posts

Wednesday, November 15, 2023

Quad 33 Preamplifier: A B&O Project Diversion

Here is a quick non-B&O project that diverted my attention recently :-)

I did not know about Quad and the (famous) Quad 33 preamplifier growing up.  It wasn't until I started working on Bang & Olufsen (vintage) audio components that I became aware of the Quad 33.  A number of vintage B&O collectors I know also like Quad audio components so that created my interest.

Recently, I decided to dive in and check one out.  Currently, here in 2023, used, unrestored Quad 33 preamplifiers can be found in the $200 USD range.  That's not bad and quite affordable when you hear one.  Now that I have heard it I can see why it is popular.  It sounds great.

Here is the Quad 33 as I received it.




































The first thing that jumped out at me is how nice it looks.
It is a smart, clean design and it is very compact compared to other preamplifiers.  Especially when the Quad 33 came out ... 1967 !

I love how the rear panel input and output jacks label what the (DIN) pins are.  That is great.
The Quad 33 uses 5 pin DIN jacks for the audio inputs and a 4 pin DIN jack for the preamplifier audio output signal.  The 5 pin DIN inputs match what the Bang & Olufsen source components provide (i.e. Beogram and Beocord cable plugs).  The 4 pin DIN audio output jack is not commonly found but plugs for those are available at places like Mouser.

The design of the Quad 33 preamplifier also provided a way for an owner to change the input gains for the Tape input/output and the Disc (phono) input.

That is done using removable/changeable boards in the back of the Quad 33 cabinet.
























































Here is the Quad 33 with its outer cover removed.


























I have the primary preamplifier boards outlined in the photo above.
Starting on the left is the Disc (turntable) board (M12019).  It is the phono preamp with the RIAA functionality.

Next to the Disc board is the Power Supply (M12032).  It includes the transformer and is switched on and off by a power switch built into the back of the volume control.

On the far right are two preamplifier boards (M12017).  One for each channel (left and right).

One of the first things to check on a used Quad 33 preamplifier component is the Balance slider control that is just under the volume control (on the front panel).  It turns out that it is very common for the mechanical control mechanism to have broken ... and no longer work.

That was the case with mine.

These next few photos show my Quad 33 with the front panel removed and the repair of the Balance control.

The problem that occurs is that the Balance potentiometer starts to bind and becomes difficult to turn.
That puts pressure on a plastic fork piece that is the mechanical control of the Balance control.
Eventually the pressure is too much and the fork breaks off rendering the control mechanism non-functional.  The next photo shows a disassembled Balance control with a broken fork.





























The round post on the Control Lever is supposed to rest in the gap of the two-pronged, plastic fork.
As you can see, one side (prong) of the fork is no longer there.

My repair for the broken fork was to design and make a 3D printed part that would just snap over the remaining fork part of the control.  One reason for that is the white, plastic fork piece is glued into the Balance slide control.

Here is the 3D part ready to be fit onto the Balance slider.





























... and here is the 3D part installed.  I just snapped it in place without glue.  I plan to leave it like that and glue it in later if that becomes necessary.






































The above photo showing the repair of the broken, plastic fork also shows a different 1kΩ (linear) Balance potentiometer installed.

The repair of the fork corrected the broken mechanical part of the Balance Control but it doesn't fix the problem that caused it.  That was the original Balance potentiometer that started to bind (stiffen up).

I took Balance potentiometer apart and cleaned it with Deoxit. That made a big difference and the potentiometer became easy to turn again.  Note: Initially it would not turn without the aid of pliers !



















After reassembling the potentiometer I measured to see that it was functioning.  It was.
However, the control did not feel smooth.

So I decided to replace the potentiometer with a modern Bourns 1kΩ potentiometer.

The replacement potentiometer is very smooth and quiet.  The barrel of the control fit perfectly through the mounting hole.  The only issue was that the shaft of the control was a little bit long to fit behind the Quad 33 front panel.

Instead of cutting the metal control shaft off (to fit), I decided to just design and print another 3D part to act as a spacer.  I designed the spacer to support the potentiometer key so I still had a mounting key.

Here is the new Bourns potentiometer and mounting spacer installed.





























Moving on from the Balance control repair I performed some capacitor replacement tasks.
That was to replace the old electrolytic capacitors in the Quad 33 with new electrolytic capacitors.

Here are the Quad 33 areas where I replaced electrolytic capacitors.
Pretty minimal compared to my other recent audio restoration projects.



























Here are the boards after the capacitor replacement.





































I won't show it but I also did some Deoxit cleaning on the other Quad 33 potentiometers (volume and filter controls) as well as the pushbutton switches.

At this point I reassembled the Quad 33 and tested it with a Quad 405 (current dumping) power amplifier that I also recently acquired.  The Quad 405 power amplifier only required a few capacitors replaced on each output amplifier board and nothing else.

To my disappointment, the Quad 33 did not power up.

That took me to the second mechanical switch repair that had to be performed.

It turns out that a failed Quad 33 power switch is not uncommon either.

Here is the problem I discovered after trouble-shooting, then opening up the Quad 33 power switch.































































As you can see in the highlighted sections of the photo above, there are worn areas of the power switch contacts caused by arcing when the contacts close.

The Quad 33 itself doesn't require a lot of power so my theory is that power switch wear like this more likely occurs when other electrical components are plugged in to the two AC line accessory jacks at the rear of the Quad 33 cabinet.  Something like a power amplifier that also gets turned on when the Quad 33 is turned on would cause much more current to pass across the Quad 33 power switch contacts.

In any case, my power switch was faulty and I had to repair it.

One option was to just connect the fused AC line input directly to the Quad 33 transformer and not use the power switch.  In that case the Quad 33 could be plugged into a nice surge protection device that has a power switch.

I wanted to have the Quad 33 Volume/Power Switch work though ... so I opted to attempt a repair.

It was not very easy as it turned out.
As you can see in the first photo of the disassembled power switch above, I was able to open it up.
That required carefully prying out the round phenolic switch contact board from the black, plastic housing.

From there I filed and cleaned the switch contacts.  That was pretty easy.

The power switch reassembly is where the difficulty was.
Maybe there is some neat trick to it but I didn't find one.

The main problem is to keep the switch components in place when the phenolic switch contact board is mated back into the housing.  The metal spring mechanism presents the biggest challenge because it has to connect to a part on the switch contact board and to a part on the housing ... plus, the spring is fighting the attempt to do that.

After quite a few unsuccessful tries I decided to use some thick damping grease that I use on my B&O projects (for damping lids closing).  

The damping grease is so thick that it kept the switch components from moving when I mated the switch contact board back into the housing (and maneuvering the spring in to place).

Here is the reassembled power switch.





























In case you are wondering ... yes, that is a spare Volume Control/Power Switch in the background.
Its power switch has the same failure.

Although the contact switch assembly fit back into the housing snuggly,  I didn't trust that it would remain that way with just friction so I used some JB Weld epoxy to seal the deal.

Here is a photo of the Volume Control/Power Switch re-installed in the Quad 33.
In looking at the Quad 33 schematic that came with the preamplifier, I could see that the Volume Control/Power Switch assembly (both of mine) is missing a safety capacitor across the contacts that power is applied to.



























I found out from another Quad 33 owner that has a working unit that the missing part (SKF24R) is a 0.042uF + 100Ω safety capacitor.  I used this one from Mouser.



























That took me to attempt number two of listening to music with the Quad 33.























The audio was quite good ... when there was sound :-(

I was experiencing a channel dropout whenever I operated a switch on the Quad 33 front panel.  So obviously, there was some sort of bad connection going on there.

I couldn't visually inspect and see the problem so I reasoned that I needed to disassemble and clean all of the front panel switches.  That would give me piece of mind that the switches were indeed, clean.
The exercise of touching all of the switches would give me a chance to go over all of the solder joints too.

So off I went on another switch repair exercise.

The worst part of the pushbutton switch cleaning was getting to them.
I did have to remove a lot of the inner components of the Quad 33.






































I removed the switch assembly for the stereo and source selection.  It solders to a "motherboard" of the Quad 33 plus it has a small, interconnect board that solders on the top of it.  So it required complete de-soldering and removing to clean.























On the switch assembly for the Quad 33 filters, I decided I could clean them without removing the assembly from the Quad 33.

























Removing and opening up the pushbutton switches for cleaning was surprisingly easy.  Easy compared to the switch assembly of a Beomaster 3000, 4000 or 4400 amplifier.

The main thing is to be in control of the individual switch when the spring is released.  You don't want parts ejected across the room.  Keeping control of the switch is pretty easy though :-).

The switches are freed up from their respective switch holder assemblies by carefully lifting up metal tabs and removing three metal clips that group sets of switches together.  For example the stereo and mono switches make up one switch group.  The source selection make up another switch group and, of course, the filter buttons are a switch group.





























Even though the switches are the same mechanical switch design, their assemblies are slightly different depending on the number of contacts in the switch.

Here is one of the largest switches, the filter cancel button.


















By first pulling the button spring back and releasing the front of the white, plastic clip ...





























... the white plastic clip can be slid towards the back and lifted out.
WARNING: Removing the clip is what fully releases the spring.  So the technique is the hold the pushbutton assembly together with one hand while removing the white, plastic clip with the other.
With the clip removed, you can slowly let go of the pushbutton assembly so the switch can be pulled apart without the spring causing any problem.

Oh yeah, pull the switch part with the spring loaded contacts out of the switch with the switch situated with the bottom side up (as shown in the next photo).























I used Deoxit on the contacts (with the tiny springs) and on the contacts inside the switch housing.
My cleaning tools were a small brush and a foam pad.






















Reassembly of the switch is just the reverse of the disassembly of course.

Some of the pushbutton switches do not have the white, plastic clip that is removed.
Instead, they have a built in plastic tab that must be lifted to allow the switch to be disassembled.
Take care to keep the pushbutton assembly under control as the tab is released.
















I cleaned all of the switches the same way.

Overall, the task was not bad and went quickly.  I was careful on each switch to make sure I was always in control of the spring.

I reassembled the Quad 33 for the third time.


























Finally, the Quad 33 is fully operational.
























I did test it again with the Quad 405 power amplifier and a pair of Beovox MC 120.2 speakers.
It sounded very good and there are no glitches in sound.  
Whatever it was, cleaning the switches or re-soldering all of the board joints, the channel dropout problem is gone.

My next step was to build a preamplifier to power amplifier cable I could use with another power amplifier (other than the Quad 405 amplifier).

I used a Switchcraft 4-pin DIN plug and a pair of female RCA plugs to make the cable.




























I will now test this wonderful little preamplifier with some other power amplifiers I own and do some music listening tests before doing any electronic measurements on the bench. 

Saturday, May 19, 2018

Beomaster 6000 (2702) restoration: final assembly and testing

After some delay caused by the need to recoat the key panel (see update here), it is now finally time to finish the assembly and start testing the Beomaster 6000 quad after this full restoration!

The display panel for the volume, tone and balance controls needs to be as close as possible to the red plexi panel for good readability. Therefore the frame on which the the display panel, motor controls, pulleys, clutches, tone amplifier PCB is mounted is adjustable. On each side on the frame there are 3 M3 bolts:  the middle one is to lock the adjustment and with the two other screws you can tilt and raise the frame.





Since you can not reach these bolts once the plexi panel is back in place, a different method is needed. I first attached the back black frame and the complete key panel to the main chassis. This was to have a reference point for adjusting.



I used a metal ruler and some pieces of wood (with the same thickness as the plexi panel) to make the adjustment.


An air gap of about 1mm is sufficient to leave enough room for the display bands to move freely and avoid rubbing.



Once this is done the keypanel temporary screws are removed and the plexi panel is put in place. The next step is to attach the wood plinth and the keypanel.



One last adjustment, before tightening the keypanel and the wood plinth, is the centering of the FM dial spindle/flywheel. This is needed because the keypanel had been removed for coating and glued back. There is always a bit of play. The spindle is rotating in two ball bearings. The top one is fixed in the square plastic holder just under the spindle. The square plate first need to be centered by loosening the 4 M3 nuts.



The second ball bearing is inside the shaft bushing at the bottom. This ball bearing is in a metal bushing that is adjustable with 3 bolts. If you loosen these 3 bolts the whole spindle can "wobble" a bit and allows to have the spindle surface flat and centered with the surrounding aluminium frame. This can only be done once the keypanel with the wood plinth is firmly fixed.



And finally the wire bracket is put in place.





Time for testing ! I attached 2 Beovox S45-2 as front speakers and 2 Beovox P45 as rear speakers. I also attached an Airplay device to play some music from my iPad.





And I had sound on all 4 speakers !!!!! 







A reflexion after this many, many hours of careful restoration of this iconic Beomaster 6000 quad: it's not a job for the faint of heart ! Was it a succes? Yes, definitely. Does it look and sound good? It sounds sweet to my ears. And it looks as good as one can imagine after some 40+ years of use. I've been at the Bang & Olufsen museum in Struer, Denmark, where there is (off course) one of these units on display (and fully operational). See picture below. And honestly, mine looks better ! 

I will now let it play for some days/weeks before I'll ship it to his new owner. 


Above picture is courtesy of the B&O Museum in Struer, Denmark.

Sunday, April 8, 2018

Beomaster 6000 (2702) restoration: mounting the FM dial display and fixing a new dial cord

The FM dial display has been restored before (click here). One thing I forgot to mention is the importance to have the dial band under the tiny clips that guide the band in a straight line and avoid it rubbing against the red plexi panel that comes on top. These clips are so tiny that it's easy to not spot them.


On most units that I have restored the dial cord is broken (or about to be). The cords used on a Beomaster 6000 quad are very thin (about 0,4 -0,5 mm diameter)  compared to cords on many other vintage radio's. That's probably why it is extremely difficult to find vintage cord with that size. The best alternative that I have found is fishing line. I know that some hardcore vintage restorers will hate this, but it works, if you select the correct type ! The typical yellow/transparent nylon ones will NOT work. They are to stiff and slippery. I have good experience with high quality DAIWA 8EVO Tournament Braid type of 0,45mm.



There's a drawing in the service manual that describes exactly how to fit the dial cord. Important is the 3 turns on the main pulley, the 2 turns counterclockwise on the shaft coming in from the top and leaving at the bottom.



But before you break your head on this drawing and try to figure out the correct sequence of fitting the cord, watch this excellent videoclip by Beolover that shows you exactly how to do it in this post: click here.

Below is the DAIWA fishing line cord installed on this unit.


The dial cord is attached to the FM dial band with a plastic clip with 3 dents. Best is to remove some tension from the cord before attempting to fix it on the clip. A small dot of glue will help it stay in position once you have the correct setting. Tuning into a known FM frequency and then set the red line to the corresponding numbers on the red plexi display is the way to do it. It often requires a bit of trial & error to get it correct.





The next posts will mainly be on the restoration of the key panel, the red plexi display and the wood plinths. We want this Beomaster 6000 quad to look as good again as it sounds ! And that will require some different skill sets other than electronics.....

Beomaster 6000 (2702) restoration: checking, power-up and calibration

Everything is back into the chassis and now it's time to do a last check of all the wiring and powering up. It's important to make sure that no wires have been cracked, became loose or touching the chassis. This may seems obvious, but it is so important in a Beomaster 6000 quad because the space is so tight and most wiring is done with hard wires. I took all the time that I needed and found one wire broken off: a ground connection to the pre-amp.

So, a last peek inside before powering up......






I plugged the unit into my Variac transformer, gently raised the voltage to the required 230V and...........it fired up on all engines! I selected a FM station and listened to Katie Melua's version of Louis Armstrongs "What a wonderful world" ! And indeed it was......

That was a big relief. You never know what will happen after such a big restoration. But, off course, I had tested everything already before putting it al in the main chassis (check here). 

Some final calibration was now needed. I started with the power supply. I had done this before when restoring the power supply PCB, but under load settings may change. I found some slight variation. The +18V had now dropped to +17,85. Not to bad. And the -5V was now -5,1V (not sure why it went up). With the new trimmers in place, it was easy to recalibrate to the correct voltages.



On the same power supply PCB, a trimmer is located to balance the FM reception lights.

The idle (quiescent, bias or no-signal) current was already set before, but I checked it again by measuring the voltage drop over the 2 emitter transistors (0,12 ohm), in series, that are in each set of the Darlington output stages. The service manual describes to measure directly on one of the collector resistors on the PCB. They are very difficult (if not impossible) to reach once the PCB is in place in the subframe. The easiest way is to measure directly on the emitter contacts of both Darlington transistors (PNP and NPN pair) on the cooling elements (white & green wires in below picture). The correct setting in this case is 14,4mV (2x7,2mV). The extra base-emitter current that flows through the emitter resistors together with the collector-emitter current, is neglectable.





Next was the FM bottom voltage adjustment. The manual describes +4,5V. The FM tuner is driven by a variable DC voltage and to make sure that lowest FM frequency is correct and corresponds with the display, this bottom voltage needs to be set correctly.



Another series of adjustment are related to the FM display board with the signal strength meter, the stereo light and the tuning balance lights.







Other calibrations (like the ultrasonic receiver and the Commander remote) have been done before (see here).

Up next is the mounting of the FM display scale and fixing a new dial cord.